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2015λ…„ μ•ŒνŒŒκ³ μΈ 인곡지λŠ₯κ³Ό μ΄μ„ΈλŒμ˜ λ°”λ‘‘λŒ€κ²°μ€ κ·Έ λ™μ•ˆ 인곡지λŠ₯ λΆ„μ•Όμ—μ„œμ˜ 높은 μ˜€μ°¨ν™•λ₯ κ³Ό λ‚œμ œλ“€μ΄ ν•΄κ²°λ˜μ—ˆμŒμ„ 보여주며 μ•žμœΌλ‘œ μ‚Άμ˜ λ§Žμ€ μ˜μ—­μ—μ„œ κ³Όν•™κΈ°μˆ , 4μ°¨ μ‚°μ—…μ˜ λ„λž˜λ‘œ μΈν•œ 변화와 λ°œμ „μ΄ κΈ°λŒ€λ˜κ³  μžˆμŠ΅λ‹ˆλ‹€. μ΄μ „μ˜ μ•„λ‚ λ‘œκ·Έ, μ˜ν™”, 디지털 μ‚¬μ§„μ—μ„œ 닀루어진 디지털 ν˜•μ‹μ„ λ„˜μ–΄μ„œ μ•Œκ³ λ¦¬μ¦˜, 계산, 데이터 λ“±μ˜ μ»΄ν“¨ν…Œμ΄μ…˜μ (computational) ν˜•μ‹μ€ μ‚¬νšŒλΏλ§Œ μ•„λ‹ˆλΌ 예술, μΈκ°„μ˜ μ‚¬κ³ κΉŒμ§€ 영ν–₯을 λ―ΈμΉ  것이라 μƒκ°λ©λ‹ˆλ‹€. λ˜ν•œ 변화와 κΈ°λŒ€λ§ŒνΌ λ§Žμ€ λ‹΄λ‘ λ“€κ³Ό ν•¨κ»˜ μš°λ €κ°€ 되고 μžˆμŠ΅λ‹ˆλ‹€.
데이터 μ°½κ³ ((D+T)*A storage) μ „μ‹œλŠ” 데이터λ₯Ό μ€‘μ‹¬μœΌλ‘œ 크게 두 가지 λ‚΄μš©μ„ λ‹΄κ³  μžˆμŠ΅λ‹ˆλ‹€. κ·Έ 쀑 ν•˜λ‚˜λŠ” 인λ₯˜μ„ΈλΌλŠ” μ‚¬νšŒμ , μ§€μ§ˆν•™μ  κ΄€μ μ—μ„œ λ°μ΄ν„°μ˜ λͺ¨ν˜Έμ„±, λ°μ΄ν„°μ˜ ν‘œν˜„κ³Ό 이해 방식, λ°μ΄ν„°λ‘œ ν˜„μƒμ„ μ΄ν•΄ν•˜λŠ”λ° μ˜€λŠ” 괴리, 데이터 μ‘°μž‘, 등에 λŒ€ν•œ μž‘κ°€μ˜ κ³ λ―Όκ³Ό ν•¨κ»˜ κ³Όν•™κΈ°μˆ μ— λŒ€ν•œ 이해와 νƒœλ„μ— μžˆμ–΄μ„œ 재고의 λ‚΄μš©μž…λ‹ˆλ‹€. λ‹€λ₯Έ ν•˜λ‚˜λŠ” 데이터와 μ•Œκ³ λ¦¬μ¦˜μ„ λ°”νƒ•μœΌλ‘œ ν•œ μ»΄ν“¨ν…Œμ΄μ…˜μ  생성 과정을 μ‚΄νŽ΄λ³΄λ©΄μ„œ κ·Έ κ°€λŠ₯μ„±κ³Ό μƒˆλ‘œμš΄ ν‘œν˜„λ°©μ‹μ— λŒ€ν•œ λͺ¨μƒ‰μž…λ‹ˆλ‹€. μ΄λŠ” 2000λ…„λŒ€ 초 ν•™λΆ€μ‹œμ ˆ μ „ν†΅νšŒν™” μ „κ³΅μœΌλ‘œ κΈ‰μ†λ„λ‘œ μ„±μž₯ν•œ ν•œκ΅­μ˜ 문화정체성 νšŒλ³΅μ΄λΌλŠ” μž‘κ°€μ˜ 였래된 κ³ λ―Όμ—μ„œ 좜발 된 μž‘μ—…μž…λ‹ˆλ‹€. μ˜ˆμˆ κ°€μ˜ 심쀑을 ν‘œν˜„ν•˜κ±°λ‚˜ 사물을 νŒŒμ•…ν•˜κΈ° μœ„ν•΄ κ΄€λ…μ μœΌλ‘œ λ•Œλ‘œλŠ” μ‚¬μƒμœΌλ‘œ μ œμž‘ν–ˆλ˜ μ˜ˆμ „μ˜ μ „ν†΅νšŒν™”μ™€λŠ” 달리 데이터와 μ•Œκ³ λ¦¬μ¦˜μœΌλ‘œ 개체λ₯Ό μƒμ„±ν•˜λŠ” μ»΄ν“¨ν…Œμ΄μ…˜μ (computational) 방법을 ν†΅ν•œ μ œμž‘ν˜•μ‹μ€ 전톡과 ν˜„λŒ€, κ³Όν•™κΈ°μˆ κ³Ό 예술 μ‚¬μ΄μ—μ„œμ˜ 맀체와 μž₯λ₯΄λ₯Ό λ„˜μ–΄ μ‚¬κ³ μ˜ ν™•μž₯을 κ³ λ―Ό ν•œ λ‚΄μš©μž…λ‹ˆλ‹€.

The 2015 Lee Sedol versus AlphaGo Go game challenge match showed that the high probability of error and other problems in artificial intelligence have been resolved, and many areas of our life are expected to change and advance due to science and technology and the advent of the Fourth Industrial Revolution. Computational forms such as algorithms, calculations, and data, beyond the digital forms used in movies and digital photography as well as analogue forms, will affect art and cognition as well as society. Such changes are generating both anticipations and concerns along with many discourses.
The content of (D+T)*A storage, the exhibition, is largely divided into two aspects based on data. One concerns the rethinking of the understanding and attitude toward science and technology as the artist grapples with issues such as the ambiguity of data, the way to represent and understand data, misalignment experienced when understanding phenomena with data, and data manipulation from the social and geological standpoint of Anthropocene. The other is the exploration of the potential and new representation methods of the computational generation process based on data and algorithm. This reflects the artist’s long-standing concern since her undergraduate years of studying traditional painting in the early 2000s about the restoration of cultural identity of Korea which has grown rapidly. The creative approach using the computational method to generate entities with data and algorithm unlike traditional painting is the product of the artist’s struggle to broaden the thinking beyond existing media and genres across the boundaries of the tradition and the contemporary and between art and science and technology.κ°œμžμ›μ—μ„œ e-trees둜 μ „μ‹œ μ „κ²½,디지털 ν”„λ¦°νŒ…,44개의 μ•‘μž,2018.jpg둜,디지털 ν”„λ¦°νŒ…,32개의 μ•‘μž,2018.jpg
κ°œμžμ›(θŠ₯ε­εœ’η•΅θ­œ)μ—μ„œ e-TREEs둜 (2018)κ°œμžμ›,디지털 ν”„λ¦°νŒ…,12개의 μ•‘μž,2018.jpgκ°œμžμ›,디지털 ν”„λ¦°νŒ…,2018.jpg둜,디지털 ν”„λ¦°νŒ…,32개의 μ•‘μž,2018_01.jpg데이터 유기체-정병, 3Dν”„λ¦°νŒ…,λΈ”λ£¨νŠΈμŠ€, 아두이노, λͺ¨λ‹ˆν„°,140X40cm,2014-18.jpg
데이터 유기체-정병 (2014~2018)데이터 유기체-정병, 3Dν”„λ¦°νŒ…,λΈ”λ£¨νŠΈμŠ€, 아두이노, λͺ¨λ‹ˆν„°,140X40cm,2014-18 (2).jpgμ „μ‹œμ „κ²½.jpgλ―Όλ“€λ ˆ, μŠ΅λ„μ„Όμ„œ 아두이노,3Dν”„λ¦°νŒ…, LED,2016.jpg
λ―Όλ“€λ ˆ (2016)λ―Όλ“€λ ˆ μž‘ν’ˆμ „κ²½,2016.jpg항상성을 μΆ”κ΅¬ν•˜λŠ” λ‚˜λ¬΄, 마우슀,μ’Œγ…λŒ€,PC,ν™€λ‘œκ·Έλž¨j,128x78x187cm,2017.jpg
The Tree Seeking maintaining항상성을 μΆ”κ΅¬ν•˜λŠ” λ‚˜λ¬΄_01, 2018.jpg항상성을 μΆ”κ΅¬ν•˜λŠ” λ‚˜λ¬΄, 2018.jpg데이터 κΉƒλ°œ, λž¨ν”„,3Dν”„λ¦°νŒ…,LDCλ””μŠ€ν”Œλ ˆμ΄μ–΄,ν™€λ‘œκ·Έλž¨,2017.jpg
데이터 κΉƒλ°œ데이터 κΉƒλ°œ, λ¦¬μ„œμΉ˜ μ˜μƒ,2017.jpg