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artience essay about data and color

Artience performance Video version1 - the exhibition scene

artience performance version2 - data and colors

λ°μ΄ν„°λ‘œλΆ€ν„°μ˜ 색
단체널 μ˜μƒ 및 였브제 μ„€μΉ˜, 퍼포먼슀, 가변크기, 2019

λ°μ΄ν„°λ‘œλΆ€ν„°μ˜ 색은 μ‹€μƒμ—μ„œ κ²½ν—˜λ˜μ–΄μ§€λŠ” λ°μ΄ν„°μ˜ λΆ€μ •ν™•μ„±, λͺ¨ν˜Έν•¨μ— λŒ€ν•΄ 문제 μ˜μ‹μ„ κ°–κ³ , 가섀을 μ„Έμš°κ³ , κ²€μ¦ν•˜μ—¬ 얻어진 κ²°λ‘ κ³Ό κ·Έ 과정을 μ‘°ν˜•μ  언어인 '색', 였브제 λ“±μœΌλ‘œ ν‘œν˜„ν•œ μž‘ν’ˆμž…λ‹ˆλ‹€. μž‘κ°€λŠ” λ°μ΄ν„°μ˜ 질, 그에 λŒ€μ‘λ˜λŠ” ν•„μš”ν•œ 기술과 μžλ³Έμ— μžˆμ–΄μ„œμ˜ ν•œκ³„λ₯Ό κ³ λ €ν–ˆμ„ λ•Œ, κ²½ν—˜λ˜μ–΄μ§€λŠ” λ°μ΄ν„°μ˜ 뢀정확함, λͺ¨ν˜Έμ„±μ„ μ£Όλͺ©ν•˜κ³  데이터λ₯Ό μ΄ν•΄ν•˜λŠ” 방식과 νƒœλ„λ₯Ό κ³ λ―Όν•˜κ³  μžˆμŠ΅λ‹ˆλ‹€. λ˜ν•œ μž‘κ°€λŠ” κ³Όν•™κΈ°μˆ μ— λŒ€ν•œ 비합리적인 믿음과 ν•¨κ²Œ, 'μ‚¬νšŒ μ „λ°˜μ— λ§Œμ—°ν•œ μ •λŸ‰ν™”λœ 사고'λ₯Ό λ°˜μ˜ν•˜λŠ” 색에 μ£Όλͺ©ν•©λ‹ˆλ‹€. λͺ¨λ‹ˆν„° μƒμ—μ„œ 데이터에 따라 λ³€ν™”ν•˜λŠ” μ•„λ¦„λ‹€μš΄ 색을 λ³΄λ©΄μ„œ μš°λ¦¬λŠ” ν”½μ…€ν•˜λ‚˜μ— λ‹΄κΈ΄ λ„μ‹œ μ „μ²΄μ˜ μƒνƒœλ₯Ό λ°˜μ˜ν•˜λŠ” 색 데이터λ₯Ό μ–΄λ–»κ²Œ λ°›μ•„λ“€μ—¬μ•Ό ν•˜λŠ”κ°€λ₯Ό μžŠμ€ 채, 색 λ³€ν™”μ˜ ν˜„λž€ν•¨, κ·Έ 아름닀움과 κ³Όν•™κΈ°μˆ μ„ λ™μΌμ‹œ ν•©λ‹ˆλ‹€. μ΄λŸ¬ν•œ λ¬Έμ œμ˜μ‹κ³Ό ν•¨κ»˜ μž‘κ°€λŠ” "λ°μ΄ν„°μ˜ 뢀정확함, λͺ¨ν˜Έν•¨μ€ 데이터 μƒμ‚°μžμ˜ 수용자 μ‚¬μ΄μ—μ„œ 데이터λ₯Ό λ‹€λ£¨λŠ” λ‹¨μœ„ 크기의 차이에 μ˜ν•΄ λ°œμƒλœλ‹€"λŠ” 가섀을 μ„Έμš°κ³  μ‹€ν—˜μ„ μ§„ν–‰ν•©λ‹ˆλ‹€. 3μ‹œκ°„μ”©, 25000mλ‹¨μœ„λ‘œ μŠ€ν¬λ¦°μ— λ³΄μ—¬μ§€λŠ” 인터넷 곡곡기온 데이터λ₯Ό λŒ€μ‘°κ΅°μœΌλ‘œ, μž‘κ°€κ°€ 직접 μ„Όμ„œλ‘œ μˆ˜μ§‘ν•œ 10초의 20m λ‹¨μœ„λ‘œ λ³΄μ—¬μ§€λŠ” μ˜¨λ„ 데이터λ₯Ό μ‹€ν—˜κ΅°μœΌλ‘œ ν•˜μ—¬ 각각의 λ‹¨μœ„μ— λ”°λ₯Έ κ³΅κ³΅κΈ°μ˜¨λ°μ΄ν„°μ™€ 개인이 μ²΄κ°ν•˜λŠ” μ˜¨λ„ 데이터λ₯Ό 비ꡐ해보며 κ·Έ 차이 여뢀정도에 λŒ€ν•΄ μ•Œμ•„λ΄…λ‹ˆλ‹€. μ‹€ν—˜μ„ 톡해 λ°μ΄ν„°μ˜ λͺ¨ν˜Έν•¨κ³Ό λΆ€μ •ν™•ν•¨μ˜ 근본적인 원인을 생각해보고 데이터λ₯Ό μ΄ν•΄ν•˜λŠ”λ° μžˆμ–΄, 우리의 νƒœλ„λ₯Ό κ³ λ―Όν•΄ λ΄…λ‹ˆλ‹€. μ•„μšΈλŸ¬ μž‘κ°€λŠ” 곡곡과 개인, 수직과 μˆ˜ν‰μ  μ²˜λ¦¬λ°©λ²•κ³Ό ν•¨κ»˜ 쀑앙정뢀 κΈ°κ΄€, μ „λ¬Έκ°€λ“€λ‘œ κ΅¬μ„±λœ λͺ‡λͺ‡ κΈ°κ΄€μ—μ„œ 생산, μ²˜λ¦¬ν•˜λŠ” 데이터λ₯Ό μˆ˜λ™μ μœΌλ‘œ λ°›λ“€μ΄λŠ” κ²ƒλ³΄λ‹€λŠ” 개인이 주체성을 가지고 생산, μ΄ν•΄ν•˜λŠ” 방식을 μ œμ•ˆν•©λ‹ˆλ‹€.

Color from Data
Single channel video and object installation, performance,
dimension variable,2019

Color from Data questions the inaccuracy and ambiguity of data experienced in our daily lives. For this. The artist builds and verities hypothesis, the process and conclusion of which are embodied in the formative language color and objects. Looking at the eye. catching colors. We forget to consider how we should accept this color data in each pixel that reflects the whole city and instead Identify the glitz of the changing colors, Its glamour with science technology, the hypothesis was that " the inaccuracy and ambiguity of data are caused by the gap between the unit of data adopted by the producer and the receiver." With the public temperature data online as the control group and 20m, 10 second temperature data the artist collected using sensors as the experimental group, the artist attempts to find out if and now much the public temperature data differs with individual sensory data