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Digital Cistern
Nirvana of machine
Digital Sensory_House
The Tree Seeking Homeostasis
No charging, No battery With sunlight
Being Alive
The flag of data
Dome & cycle

My work is about concern the relationship between technology and human being, based on imagination inspired by nature when I child and experience of majoring oriental painting during my undergraduate years.
What I felt through the β€œMedia City” exhibition in 2006 was that the principle of the new media is similar to the oriental philosophy which deals with uncertain but abundant metaphorical expression and the understanding of natural principles through the use of statistics and mathematics. This is similar to modern physics, especially quantum physics and superstring theory. Moreover my sister majored in biotechnology and when looking at her text book, I found similar concepts or contents between Oriental philosophy, physics, and life principles. For example, "keeping to the middle way" and the homeostasis of the body, the circulation of the human body and the circulation of "energy", and the electron and the proton and the yin-yang. These principles have influenced my work overall, such as "Nirvana of machine" and "The Circle", in which a digital machine is considered as an oriental philosophy or some organ of a creature. Above all, based on this idea, I try to understand the phenomenon and to expression to this while considering the role of art.
The geological name of the Anthropocene, which refers to the present era, is mentioned in 2016, and discusses how human beings have affected nature and the earth. The most talked about are environmental issues including global warming and high-tech under the logic of advanced capitalism. It is at the center of this discussion that I explore the problems associated with the process of data-izing any phenomenon. Bruno Latour point to the illusions and bubbles of science that emerged during the 19th century during the Copernican revolution. He criticized the unconditional belief and illusion that science can solve everything with technology. He also backed the belief that the digitization of the Earth’s information can help understand many kinds of phenomenon on the earth and can predict the future. Those who rely on science and technology, such as data scientists and intellectuals, have identified and determined important issues for the future, even though this data sometimes leads to misjudgements by concurring with capitalism and politics. Lastly, he said that the role of artists and intellectuals play in expressing phenomena as data is important.
Based on these discussions and my own thoughts, I am looking for a way to express data through metaphorical and open method, possibilities and diversity rather than quantifying phenomena. Through the exploration of data influences and methods of expressing data, we try also to openly question how to relate the impacts of technology on our lives, including capitalism, belief in technology, and the influence of data.

μ €μ˜ μž‘μ—…μ€ 어렸을 λ•Œ μ‚°, λ¬Ό λ“± μžμ—°μ„ λ³΄λ©΄μ„œ μƒμƒν–ˆλ˜ 것듀과 ν•™λΆ€μ‹œμ ˆ 동양화λ₯Ό μ „κ³΅ν–ˆλ˜ κ²½ν—˜κ³Ό ν•¨κ»˜ 기술, 인간과 μžμ—°μ˜ 관계에 λŒ€ν•œ κ³ λ―Όμ—μ„œλΆ€ν„° μΆœλ°œν•©λ‹ˆλ‹€. 2006λ…„ β€œλ―Έλ””μ–΄μ‹œν‹° 전”을 톡해 톡계와 수의 κ°œλ…μ„ μ μš©ν•˜μ—¬ μžμ—°κ³Ό 인간을 λ°”λΌλ³΄λŠ” 동양철학은 κ³Όν•™μ˜ κ°œλ…λ“€κ³Ό μœ μ‚¬ν•œ 뢀뢄이 많으며 이어 λ””μ§€ν„Έλ§€μ²΄μ˜ 속성과 κ·Έ κ°œλ…μ—μ„œ λ™μ–‘μ² ν•™μ—μ„œ λ‹€λ£¨μ–΄μ§€λŠ” κ°œλ…μ„ λ³Ό 수 μžˆμ—ˆμŠ΅λ‹ˆλ‹€. λ˜ν•œ 생물 곡학을 전곡 ν•œ μ—¬λ™μƒμ˜ 책을 보고 생λͺ…κ³΅ν•™μ—μ„œ 동양철학, 물리학과 디지털 맀체의 속성과 λΉ„μŠ·ν•œ κ°œλ…μ΄λ‚˜ λ‚΄μš©μ„ 찾을 수 μžˆμ—ˆμŠ΅λ‹ˆλ‹€. 예λ₯Ό λ“€μ–΄, "μ€‘μš©μ‚¬μƒ"κ³Ό μ‹ μ²΄μ˜ 항상성, 인체의 μˆœν™˜κ³Ό "μ—λ„ˆμ§€"의 μˆœν™˜ 그리고 μ „μž, μ–‘μ„±μžμ™€ μŒμ–‘μ›λ¦¬ λ“± μž…λ‹ˆλ‹€. μ΄λ ‡κ²Œ 기술, 인간 그리고 μžμ—°μ˜ 관계λ₯Ό 생물학적 원리, λ™μ–‘μ‚¬μƒμ˜ κ°œλ… 등을 μ•„μš°λ₯΄λ©° μ‚΄νŽ΄λ³΄λ €λŠ” νƒœλ„λŠ” 제 μž‘ν’ˆμ— 영ν–₯을 λ―Έμ³€μŠ΅λ‹ˆλ‹€. 기계λ₯Ό 동양 μ² ν•™μ˜ κ°œλ…μ„ λ°”νƒ•μœΌλ‘œ 생각해 λ³΄κ±°λ‚˜ λ˜λŠ” μƒλ¬Όμ˜ 일뢀 κΈ°κ΄€μœΌλ‘œ λŒ€μž…ν•˜μ—¬ μƒκ°ν•΄λ³΄μ•˜μŠ΅λ‹ˆλ‹€. 무엇보닀도 μ΄λŸ¬ν•œ μž‘μ—… μ„±ν–₯을 톡해 예술의 μ—­ν• μ—μ„œ μ‚Άμ˜ ν˜„μƒμ„ μ΄ν•΄ν•˜κ³  κ·Έ ν˜„μƒμ„ ν‘œν˜„ν•˜λ©° ν˜„μƒμ˜ 이면, κ·Έ λ„ˆλ¨Έλ₯Ό μƒκ°ν•΄λ³΄κ³ μž ν•˜μ˜€μŠ΅λ‹ˆλ‹€.
2016λ…„ 8μ›” μ§€μ§ˆν•™μ  λͺ…μΉ­μœΌλ‘œ 인λ₯˜μ„Έ(Anthropocene)κ°€ μ–ΈκΈ‰λ˜μ—ˆμŠ΅λ‹ˆλ‹€. 인λ₯˜μ„ΈλŠ” ν˜„μ„ΈμΈ ν™€λ‘œμ„Έ(Holocene) 쀑 인λ₯˜κ°€ μ§€κ΅¬ν™˜κ²½μ— 크게 영ν–₯을 미친 μ‹œκΈ°λ₯Ό λ§ν•©λ‹ˆλ‹€. λ˜ν•œ 이와 λ”λΆˆμ–΄ 인간이 지ꡬ ν™˜κ²½μ— μ–΄λ– ν•œ 영ν–₯을 λ―Έμ³€λŠ”κ°€μ— λŒ€ν•œ λ…Όμ˜κ°€ λ˜μ–΄μ§€κ³  μžˆμŠ΅λ‹ˆλ‹€. κ·Έ 쀑 κ°€μž₯ ν™œλ°œν•˜κ²Œ λ…Όμ˜ λ˜λŠ” 것이 λ°”λ‘œ μ§€κ΅¬μ˜¨λ‚œν™”μ™€ 기술과 자본주의 μœ μ°©ν™” μž…λ‹ˆλ‹€. 그리고 이 λ…Όμ˜μ˜ κ°€μš΄λ° μžˆλŠ” κ²ƒμœΌλ‘œ, μ–΄λ– ν•œ ν˜„μƒμ„ λ°μ΄ν„°ν™”ν•˜λŠ” κ²ƒμž…λ‹ˆλ‹€. Latour BrunoλŠ” β€œThe Anthropocene and the Destruction of the Image of the Globe”인 그의 κ°•μ—°μ—μ„œ 19th 의 (the Copernican) μ½”νŽ˜λ₯΄λ‹ˆμΏ μŠ€μ  혁λͺ… λ•Œ 생긴 과학에 λŒ€ν•œ ν™˜μƒκ³Ό κ±°ν’ˆ, 즉 κ³Όν•™κ³Ό 지식인에 λŒ€ν•œ μ‹ λΉ„μ£Όμ˜, 비합리적인 λ―ΏμŒμ„ μ§€μ ν•˜λ©΄μ„œ κ³Όν•™κΈ°μˆ μ΄ λ§Œλ“€μ–΄λ‚Έ 데이터λ₯Ό 톡해 지ꡬλ₯Ό μ§„λ‹¨ν•˜κ³  μ‘°μ ˆν•  수 μžˆλ‹€λŠ” 생각과 ν•¨κ»˜ κΈ°μˆ μ— λŒ€ν•œ λΉ„ 합리적인 λ―ΏμŒμ— λŒ€ν•΄ λΉ„νŒν•˜μ˜€μŠ΅λ‹ˆλ‹€. μ§€κΈˆμ˜ λ°μ΄ν„°λŠ” 자본주의의 μ•„λž˜ νŠΉμ •μΈμ΄ μ›ν•˜λŠ” λ°©ν–₯으둜 μ‘°μž‘λ˜κ±°λ‚˜ μ–΄λ– ν•œ 일을 μ‘°μž₯ν•  수 μžˆλ‹€λŠ” 것, λ˜ν•œ κ±°λŒ€ν•˜κ³  λ³΅μž‘ν•œ 지ꡬλ₯Ό 손바λ‹₯ 크기의 ν”½μ…€ν™” 된 μ΄λ―Έμ§€λ‘œ κ·Έ ν˜„μƒμ„ μ§„λ‹¨ν•œλ‹€λŠ” 것이 κ·Έκ°€ μš°λ €ν•œ 것듀 쀑 ν•˜λ‚˜μž…λ‹ˆλ‹€. λ˜ν•œ κ·ΈλŠ” ν˜„μƒμ„ λ°μ΄ν„°λ‘œ ν‘œν˜„ν•  λ•Œ μ˜ˆμˆ κ°€μ™€ μ§€μ‹μΈμ˜ 역할이 μ€‘μš”ν•˜λ‹€κ³  λ§ν•˜μ˜€μŠ΅λ‹ˆλ‹€.
이 토둠을 λ°”νƒ•μœΌλ‘œ μ €λŠ” 데이터λ₯Ό μ†Œμž¬λ‘œ, 생물학적 원리λ₯Ό 톡해 κΈ°μˆ μ„ λ°”λΌλ³΄κ±°λ‚˜ μžμ—°κ³Ό λ™μ–‘μ˜ μœ μ—°ν•œ 사고 방식에 μ§‘μ€‘ν•˜κ³  μžˆμŠ΅λ‹ˆλ‹€. μ΄λŸ¬ν•œ 방식과 ν•¨κ»˜ λ°μ΄ν„°μ˜ 영ν–₯λ ₯, ν‘œν˜„λ°©λ²• 등을 νƒκ΅¬ν•˜λ©΄μ„œ 자본주의의 영ν–₯λ ₯, 기술의 μ‹ λ’°, 데이터에 λŒ€ν•œ νƒκ΅¬λŠ” 데이터λ₯Ό λ„˜μ–΄ 기술의 우리 삢에 λΌμΉ˜λŠ” 영ν–₯λ ₯κ³Ό 관계 맺기에 λŒ€ν•œ μ§ˆλ¬Έμ„ μ€μœ μ μΈ 방식을 톡해 μ˜€ν”ˆ 된 μžμ„Έλ‘œ ν’€μ–΄λ‚˜κ°€κ³ μž ν•˜μ˜€μŠ΅λ‹ˆλ‹€.